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 The 2003 Bead Arts Awards - BEADS
The winners of the first-annual Bead Arts Awards step forward to take center stage!
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 Congratulations to the Winners - JEWELRY
In the debut of Lapidary Journal's Jewelry Arts Awards competition, design and artistry came together for a winning combination. (September 2002)
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 CAD/CAM for the Studio Artist - TECHNOLOGY
By Stephen & Nancy Attaway
Once limited to large-scale production, high tech design and manufacture is now within the reach of individual artisans. (July 2001)
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 A Matter of Perspective - DESIGN
By Annie Osburn
When it comes to making jewelry, does the size of your customer matter? In the end it's all attitude. (April 2001)
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 Supporting Inspiration - BUSINESS & DESIGN
By Suzanne Wade
Who says one-of-a-kind jewelry and production lines can't coexist? (March 2001)
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 Silver Shows Off - BUSINESS/DESIGN
By Suzanne Wade
For contemporary jewelry designers, silver has a lot more going for it than simple economics. (November 2000)
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 Circles of Influence -
DESIGN
By Hazel L. Wheaton
A new gem cut means a new range of possibilities for jewelry designers. Some enterprising jewelry artists take on Glenn Lehrer's new Torus ring. (May 2000)
Lehrer explains “Setting a Stone Inside a Torus” in Jewelry Journal.
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 Common Questions on Design -
DESIGN/ TECHNIQUE
By Sara M. Sanford
Sara M. Sanford answers 12 common questions on design. (April 2000)
Jewelry Journal tie-in by Sara M. Sanford: Using a Design Source
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 Windows on the World - MATERIALS: ENAMEL
By Ettagale Blauer
Profile on Enamel artists. (November 1998)
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 Confessions of Jewelry Artists - JEWELRY MAKING
by June Culp Zeitner
Jewelry Making/Poll. (September 1998)
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| TECHNIQUE/MATERIALS |
 Wireworks:
Contemporary Jewelry Designers Working in Wire -
DESIGN
By Nina Graci
Three contemporary wire artists create jewelry that is broad in appeal and expansive
in effect.
Plus: Want to make your own wire jewelry? Marie Lee Carter shows you how to make
a wire ring in All Wrapped Up
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 Coloring for Metalsmiths - METALS
By Nina Graci
For six contemporary jewelers,
metal work doesn’t mean metallic shades –– instead, it’s all about the color.
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 Feats of Clay - METAL CLAY
By Suzanne Wade
A decade since metal clay was introduced to the United States, modern metal clay artists are beginning to appreciate the material's unique qualities.
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 Carving a Theme Series - IN THE WORKSHOP/GEMS
By Helen Serras-Herman
An effective approach to artistic gem carving is to find a theme and then stick with it, exploring the full potential of the concept by trying different approaches, perspectives, and materials.
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About the Size of It
By Sara M. Sanford
It almost goes without saying that in order to make beautiful jewelry, you need to know how big things are. But while it sounds simple, measuring properly can be a tricky and frustrating task.(November 2001)
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 Neon Rainbow
By Suzanne Wade
Jewelry designers wanting to add splashes of color to their work are turning to an exotic metal - niobium - in increasing numbers.
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 On Your Mark, Get Set
by Tim McCreight
Techniques/Setting. (July 1999)
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The Alchemy of Precious Metal Clay
by Nina Cooper
Precious Metal Clay. (April 1998)
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More articles on techniques are online at the Technical Tips page.
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| ARTIST PROFILES |
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Click here to access an index of all featured jewelry, gem/lapidary, metal, and bead artists.
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| BUSINESS ARTICLES |
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 Balancing the Art and Business of Jewelry Design - BUSINESS
By Annie Osburn
What's the right mix of art and business for you? Read how some modern jewelry designers balance the two.
 Best Face Forward
By Suzanne Wade
When it comes to exhibiting at shows, there is usually a list of rules to follow. But what about the unwritten rules, the tactics that will help you attract and keep customers? (April 2002)
Click here for a full listing of all Business-related articles.
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| HISTORY, CULTURE & EDUCATION |
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 Silver from the Silk Road - JEWELRY
By Ilene Sternberg
Tribal Jewelry from the peoples of central Asia is bold, striking, and rich with tradition and meaning.
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 Old Gold & New - METALS/HISTORY
By Nina Cooper
The most malleable of metals, gold has long occupied the most unmovable place in the artistic imagination. Modern artists are not only fascinated by the metal, but by the way their ancient ancestors shaped it. (May 2001)
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 Granting A Wish -
EDUCATION/ BUSINESS
Rachel V. Katz
Whether you're just starting out, looking for financial breathing space to experiment, or have a particular project in mind, there are grants out there what can help jewelry artists. (August 2000)
A partial listing of possible grant sources are listed here.
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 Chasing Rainbows - BEADS/ HISTORY
By Ilene Sternberg
Colorful, enticing, and elusive, Kiffa beads exert a powerful pull on bead lovers and collectors. (June 2000)
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Banking on the Arts - MUSEUM/EDUCATION
By Margaret Marchuk
Mint Museum of Craft & Design collection. (May 1999)
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 A History Told In Beads - BEADS/ HISTORY
By Lynda Mc Daniel
History of beads
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Integrated Approach - EDUCATION
by Mark Lurie
Education/Profile on Georgian College of Applied Arts & Technology. (May 1998)
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| SHOWS & TRAVEL |
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 Buying on the Border - BUSINESS/TRAVEL
By Michael Boyd
An intrepid traveler and master jewelry artist journeys to the Thai-Burmese border to buy gem materials for his creations.
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 What Else Was New in Tucson in 2002? - SHOW REVIEW
By Si & Ann Frazier
With 35 separate venues selling gems, minerals, fossils, rough, beads, jewelry, supplies, equipment, and more, it's impossible to fit everything one person could see in a single magazine.
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 Living Up to the Hype
By Suzanne Wade
Not for nothing is Tucson touted as the place to be each winter - the city plays host to a collection of gem, mineral, jewelry, bead and fossil shows that showcase every taste and talent.
(December 2001)
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 Tu- Tu Tucson, Good Buys!
By Alan Korwin
Spotlight on the 2000 Tucson gem, jewelry, mineral, fossil and bead shows. (January 2000)
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 A Sleepy Town Awakens
By Mark Lurie
Tucson Preview (January 1999)
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On
the Horizon: In Search of Tanzanian Sunstone
Raising Marvin's Monster: Restoring a Used Slab Saw
