Lapidary Journal: Gems, Beads, Jewelry Making and more
Step-by-Step Jewelry Making Projects

Opal set in gold pendant with a bezelBezel Setting Opals

Intermediate project.

They're soft, brittle, don't like the steamer or ultrasonic, and are probably the most beautiful stones on earth. With the high risk factor involved, it's a wonder anyone in their right mind would want to bezel set an opal - but the truth is that if you understand the material and handle it accordingly, it can be worn and set just fine. I bezel set most of the stones in my designs because I like the continuity of the line around the stone, and opals have presented a little more of a challenge to me. I'm going to outline a few ways you can minimize your risk of chipping or cracking your stone.

I'm an admitted opalholic. I cut and buy all types of opals, as long as they are beautiful, even some poorly cut doublets. The first thing I do after I get a stone is design a piece of jewelry that will really show it off. Many opals have better flash from one direction, and I take that into consideration. I use different techniques for bezel setting opals, depending on the cut of the stone. (If the piece is going to be a ring, consider size before you set the opal, as opals need to be removed from bezel settings prior to sizing or any hot work.)

Shown above are a pendant and pin that feature bezel-set opal. This workshop will focus exclusively on this technique; for more about this author's designs, see “Wearable Kinetics,” page 40 in the August 1998 Lapidary Journal.

Buy this project as an instant reprint! Details
(Instructions will open in a new window)
Price: $4.00

TOOLBOX
  • Opal(s) or other cabochons to practice
  • 22K 30-gauge bezel wire or fine silver bezel wire to practice
  • 24-gauge gold or sterling silver backing sheet
  • Hard and soft gold and/or silver solder
  • Half-round pliers (optional)
  • Mandrel
  • Snap-on sanding disks
  • Thick vellum tracing paper
  • Jeweler's saw
  • Third hand
  • Torch
  • Brown and blue flat-edged silicon polishing wheels
  • 220-grit sanding stick and wet/dry sandpaper
  • Scribe
  • Bezel roller
  • Small burnisher
  • Metal bench block
  • Black epoxy resin
  • Hammer handpiece (optional)
  • Optivisor
For information on supplies, please see the Annual Buyers' Directory.

Wendy Newman of Gold Graphix is a designer-goldsmith from Newport News, Virginia, who specializes in setting rare and unusual gemstones in one-of-a kind pendants, earrings, and pins. She does retail fine art and craft shows on the east coast. She can be reached via e-mail at ggraphix@msn.com.

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